
Really, really in the works (at the top
of the pile)!:
"Summer on the Moon" is set in this instant in America. The
economy is tanking… People are scared… But for Socko, and his
mother, Delia, being worried about money is just business as
usual—they’ve never had any. While the rest of America suffers, this
mother and son will get their big break. They are living in a
cramped city apartment, when Socko’s great grandfather, a man Socko
has never met, makes them an offer. “The General” will buy them a
house if they agree to take care of him so he won’t have to go into
a nursing home. “The General,” turns out to be a crotchety, bossy
old man, who thinks it is a great joke to “play dead” to shake up
his great-grandson—and that isn’t the only surprise when the mother
and son start their new life.
The house Delia buys seems like a great bargain. What she doesn't
know is that “Moon Ridge Estates,” the half-finished subdivision the
house is in, is going bankrupt. When Delia, Socko and The General
move in, they are the only people who live there.
So, what is it like to be the only kid in a sprawling subdivision
of unfinished houses? For Socko it is like having a kingdom of his
own. And then Livvy and her family move in and Socko finds out what
it is like to be the only boy in a sprawling subdivision of
unfinished houses with a stuck up girl for company.
It’s not easy being the only boy on the moon.
A New YA Novel!
I am working on a book called, “The Original.” Like “The Real
Question,” it is intended for older readers. It is about Ron Hansen
and his way-cooler identical twin brother Riley. Ron thinks of Riley
as “the original” and himself as the copy. If Riley is Coca Cola
then Ron is the cheap store brand imitation. If Riley is butter, Ron
is margarine. Although they are “identical” Riley is taller, better
at sports, and he always gets the girl.
What happens to the copy when the original disappears? Oh, maybe
I should mention that this is a ghost story.
Another one from the neighborhood:
This is the book I should be
working on right now, and I’ll get to it soon—I promise!
So many readers have written to me about the ending of “The Big
Nothing,” asking, “What does Jemmie say to Justin when he tells her
that he wrote that song for her?” Just for the record, I didn’t
include it because I don’t think readers would have liked what she
had to say. She appreciated the song, but she hasn’t yet figured out
that she LIKES Justin. It will take her another book to realize that
she does. I’ve also got to bring Duane home from Iraq. And what’s up
with Ben and Cass and Anna and Mica? I hope to get all of that in
too so stay tuned.
Also on the drawing board...
Every chapter book writer wants to try their hand at a
picture book. Why should I be any different? I have two
picture-books-in-the-works.
The Dog at the Door is about a stray dog that shows up at a boy’s
house one morning and won’t go away. The boy’s father says, “We
don’t need a dog.” And I guess he’s right. Nobody needs a dog. But
as the boy points out, “Sometimes a dog needs you.”
The Hat is about what happens when Eddie Cooper—an ordinary
kid—finds an old fedora in the closet: “The hat’s been waiting—most
of the time in the dark—waiting for someone to put it on.” And what
happens when Eddie puts it on? Plenty. I’ll hurry up and finish
writing it so you can read it.
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